[Critiques are welcome. Just thoughts I had right after seeing the movie last night.]
I don’t cry during movies. It’s not my type of coping with the feelings and experiences in a film. But I cried twice tonight. And it wasn’t just because the images on screen were moving— though they were. It’s more than that. It’s knowing that we’re not past the past, that my brothers and sisters of color are still fighting. And maybe they’re fighting me. And maybe they’re more broadly fighting the dominance of whiteness that has over run this country. In fact, there’s no maybe’s about it—they are. Tonight I saw the film “Selma” for free (theater chain let students in for free). And tonight I saw art. Art that spoke. Art that silenced.
The entire time in the theater I knew factually what was going to happen, at least to Dr. King. But it was no less pressing and beautiful to watch nonviolent (potentially the most violent) action happening on screen. So many thoughts are flooding my mind right now, too many to track and catch and tie down meaningfully…
I don’t think I should try to tie them down. I should just write. And as I write I think and think and think of what else to say. And there’s nothing. As my friend stated on Twitter: “‘Selma’ is singular,” and I think he’s right. Of the films nominated for Best Picture only two make sense to me : “Selma” and “Boyhood”. “Boyhood” only because it’s so artfully done and is a masterpiece of cinema and what slow film making can do. But “Selma”…”Selma”, I hadn’t even heard of it till about three weeks before it came out, and I normally keep up on films. It came out of nowhere. And of course I read reviews and all were correct on their praise.
But something hit home during the movie. Something beautiful seemed to click for me, or I guess, something’s been clicking for a year or so and sealed itself (more) firmly. For a year I’ve been trying to unlearn my ties to whiteness, I’ve desired to center black persons and bodies. And I know I’ve failed and messed up. But “Selma” made me realize something beautiful (a lot of beautiful things actually). During the final sequence when you have Dr. King and a whole army of beautiful souls singing freedom and smiling and walking proudly, the camera frame centers them, focuses on them, emphasizes them. They are the center. And I think it clicked for me that to take seriously the centering of black bodies I need to take seriously history. I need to take seriously what Laverne Cox so beautifully called, “The practice of freedom.” To do that I, we, need to take very seriously what Du Bois said:
“Actively we have woven ourselves with the very warp and woof of this nation,—we fought their battles, shared their sorrow, mingled our blood with theirs, and generation after generation have pleaded with a headstrong, careless people to despise not Justice, Mercy, and Truth, lest the nation be smitten with a curse. Our song, our toil, our cheer, and warning have been given to this nation in blood-brotherhood. Are not these gifts worth giving? Is not this work and striving? Would America have been America without her Negro people?”
Du Bois is right. And that’s what the movie reminded me of. Not my struggle. Not my song. Not my cheer, and not my blood. Martin Luther King Jr’s., blood, Malcolm X’s blood, and the thousands hung from trees and posts in the South. Their blood, their suffering, their toil, that’s what brought America to where it is. They are the heart of America, literally. I think I truly believe that now. I think I finally in some way see it now. I see more clearly what Du Bois was saying through this movie. As Dr. King (the character) says early on in response to a grandfather mourning the death of his grandson at the hands of police, “I know this…God cried first.” God cried first for Trayvon, for Michael Brown, for John Crawford III, for Tamir Rice, for Eric Garner, for Islan Nettles. God cried first for these bodies. God cried first. And I see humanity more truly, more beautifully than before. I left the movie in awe of the actors, actresses, director and screenwriter(s), everyone involved in the film. But I left humbled. I am part of “Jim Crow under a bald eagle,” whether I like it or not.
“Selma” is vital to the American consciousness I think. It makes black bodies matter to white people who only payed lip service previously. It made them matter more to me and I hope I haven’t just paid lip service. It’s odd and wonderful what a film can do to you. I think it made me more human. And I think it’s a reminder that God cried first. God always cries first when a black body is torn from this world by white supremacy, by the white supremacy I am embedded in.